2020  "A Space of One’s Own: Spatial Experience of Playing with Fire: Ceramics of the Extraordinary,” tba: Journal of Art, Media, and Visual Culture 2, no. 1 (2020): 22-32.

2020  “Rongbaaz, Rickshaw, Revival,” Showcase Magazine, April 20, 2020.

2019  “A Reflection on Cedric Bomford’s Mountain Embassy,” Reflection (SFU Galleries Blog), November 14, 2019.


2019  “A Critical Apprehension of Marking the Infinite: Contemporary Women Artists from Aboriginal Australia,” Comparative Media Arts Journal, no. 6 (2019): 1-8.


2017  “Bo-shadhinota,” In Golpokotha 2.0, edited by Qazi Arka Rahman, 48. Dhaka: EMK Center, 2017.


2017  “To Touch or T̶o̶ ̶T̶o̶u̶c̶h̶: Towards a Tactile Reading,” Anekaant: A Journal of Polysemic Thought , no. 5 (2017): 103-112. [Design Author].

2016  “Aesop’s Shepherd and Fallen Democracy,” In Golpokotha: An Anthology of Young Bangladeshi Writers, edited by Fakrul Alam et al., 21. Dhaka: EMK Center, 2016.
2016  “Types of Questions You Come Across in Class,” Shout, The Daily Star, September 29, 2016, Dhaka, Bangladesh.


2015  “From an Ecofeminist Eye into Witch and Witchcraft in Popular Film,” Bangladesh Film Archive Journal, no. 9 (2015): 26-31.


2015  “(De/En)-coding Bangladeshi Photo-studio Culture,” Critical Space 3, no. 2 (2015): 7-15.


2014  “The Commodification of the Feminine Disgust in Visual Media,” In Visualization of Women in Literature, Media and Science, edited by Rachel Bari, 59-64. Karnataka, India: Prasaranga, 2014. [Co-author: Israt Taslim]


2013  “Selfie Re-de-fined: Self-(more/less),” Wizcraft Journal of Language and Literature 2, no. 4 (2013): 77-84. [Co-author: Israt Taslim]